stereotypes

Great news from our Asian American sensation Jeremy Lin as he signs on with the Golden State Warriors.

We did not see wrong when we saw the potential of this new gunner and that's not in any reference to any kind of school massacres that the Media rubs in our faces.

Asian Americans look on with high confidence when they see Jeremy Lin simply put, doing what he does best.

We aren't unfairly biased when it comes to supporting any Asian Americans in sports, I mean sure we should be supporting Asian Americans in all areas of the professional world but Jeremy Lin actually has a little bit more and we can not help but be proud of him. Not only is he being recognized by Asian Americans but in fact to have the basketball world talking him only shows that he has gained early recognition.

The most anticipated film of the summer had its big Hollywood premiere at Mann's Chinese Theatre on Tuesday, and fans carrying both English and Japanese-language signs stood patiently behind barricades, waiting (some since 6am) to catch a glimpse of their favorite actors. Photographers crowded each other for shots of Marion Cotillard and Ellen Page. Security guards positioned themselves on either side of Leonardo DiCaprio as he walked along the street to greet his fans and sign autographs. One of the earlier stars to arrive, Ken Watanabe gamely waved at the fans, inciting cheers as he walked down with his wife Kaho Minami.

Posting from the "Colorblind" Blog:

Jeff was publisher of A. Magazine, one of the most popular and influential Asian American magazines during its run from 1989-2002. Since then, Jeff has published several books including co-editing Secret Identities: The Asian American Superhero Anthology and is widely recognized and respected as an expert on Asian and Asian American pop culture. I have admired Jeff’s work for a long time but only finally got the chance to meet him at Syracuse.

By Jeff Yang, Special to SF Gate
Thursday, February 25, 2010

The notion that Asians and Jews are two shoots from the same cultural rootstock is an old but evergreen meme.

You see it in fringe theories about the Lost Tribes of Israel -- there's an entire body of cryptoarchaeological canon that uses similarities between customs, language and naming convention to "prove" that the ancient vanished Jewish clans ended up in China, India or Japan. (Japan's 50,000-member Makuya sect, which has as its central dogma that the Japanese are descendants of a lost Jewish tribe, keep kosher, speak Hebrew and use the seven-armed menorah as their symbol.)

Halfpipe gold medallist Xuetong Cai of China is flanked by compatriots Zhifeng Sun (left), silver, and Xu Cheng, bronze as they stand on the podium at the FIS snowboard world cup Friday, Jan. 22, 2010 in Stoneham Que. (CP) Source: CIV

We knew during the Beijing Olympics the media took every opportunity to mock the Chinese Athletes just about anything they could find.

When it comes to talking about Chinese athletes, it seems like every article must reemphasize the words  'government-funded', 'state owned', and rather acknowledging the concept of dedication, hard work and discipline as athletic qualities in the Chinese they prefer to call it 'cultural oppression' or even 'inhuman torture'. 

The same rhetorical defamation recycles itself again and in the 2010 Vancouver Winter games the media has taken another stab at it.

Since the Asian American film burst onto the scene thirty something years ago, many of those filmmakers, such as, Christine Choy, Wayne Wang, Mira Nair, Ang Lee, Justin Lin and among others are now comfortably part of the American cinematic mainstream.

Each year, hundreds of filmmakers from around the Asian Diaspora submit their short films to Asian American film festivals. They have given us stories of immigration and assimilation, adversity and triumph, motivation and inspiration of all genres: narrative, documentary, experimental, animation, music video.

Common reoccurring themes include identity politics, alienated youth, hypersexualization, math nerds, over-achievers, stereotypes, suburban alienation, and kung-fu waiters. 
Been there? Done that?

Tell us YOUR Asian American story.

The six men on stage included a poet, a break dancer and a filmmaker. They pounded rhythms on the dhol drum, modeled fresh fashions, slathered whipped cream on bare skin and discussed their passion for community service.

This is the "Mr. Hyphen" contest, a faux pageant in the San Francisco Bay area aimed at redefining the image of Asian-American men beyond nerdy, sexless stereotypes.

Conspicuously absent from the stage were computer experts, doctors, lawyers or dry cleaners. There were, however, martial arts - with a twist.

Pahole Sookkasikon, an American-born graduate student partial to drawing, cooking, and "flirting for free drinks at the bar," knew that his hobbies would not translate well to the talent portion of the show.

Nothing says controversy like an Internet fight over racism in marketing and design. If you weren't familiar with last week's blow-by-blow, Asian author and professor Soong-Chan Rah called out racism at worst and insensitivity at best in the marketing and design of the book Deadly Viper Character Assassins by Mike Foster and Jud Wilhite. Rah accused Foster and Wilhite of fueling racial stereotypes and co-opting Asian culture in order to market their book. It was an especially interesting challenge because Foster and Wilhite's book is all about integrity and character. The conversation exploded with hundreds of comments and eventually led to a conference call between Rah, Foster, Wilhite and moderators.

Scholarly blogger deals with cultural fallacies, ethnic misconceptions.

When you think of an angry Asian man, the image of a ninja wielding formidable weapons comes to mind. The stereotype isn’t far from the mark when you visit “Angry Asian Man,” a blog run by University of California, Berkeley alumnus Phil Yu.

“The name of my blog is provocative and scary,” said Yu. “It’s different from most people’s idea of what an Asian person is supposed to be. Most Asians in this country are not seen as people who are willing to rock the boat. We’re seen as meek people who just let things slide, but that’s not true at all.”

At a panel in the Texas Union on Thursday, Yu and Nhi Lieu, a UT American studies professor discussed Asian-American media representation and identity in America, as well as the influence of Yu’s blog on the Asian-American community.

We all know her story. She was a beautiful, bright 24-year-old graduate student in Yale's pharmacology department who went missing just four days shy of her wedding. Her body was found on what was to be her wedding day hidden behind a wall in her laboratory, a Yale building at 10 Amistad Road in New Haven. A few days later, a 24-year-old animal technician who also worked at her laboratory was arrested for her murder.

I first read about her in The New York Times in my apartment in Manhattan. Across the globe, my brother read about her on Bloomberg News in his office in Hong Kong. We felt the pain and horror of her death and of the tragedy facing her family.

Annie Le was also Asian-American. As her story appeared all over the Internet and on 24-hour news updates, blogs, commentaries, Facebook and Twitter posts, the fact that she was an Asian-American female was to become an important part of her narrative, speaking to uniquely American anxieties about sex, violence, gender and race.